Working constantly and often sacrificing
security, leisure and even family, Canadian artists
subsidize Canadian culture through decades of unpaid labour.
Except for the Trinidad project and the education work, all
of the labour on this site was performed by me without
payment.
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Artists' efforts are placed in public
where they can be viewed for free. Paid workers: from film,
fashion, television and advertising designers to real estate
agents, benefit from the ideas of fine artists. We improve
our neighbourhoods: often leading to the loss of the homes
we created for ourselves in previously neglected areas. We
give kids something constructive to think about and do.
These are only a few reasons why a few clever
business-people encourage a healthy arts sector.
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Each grant requires days of work to apply
for. So if you worked a week to buy a lottery ticket, won
between $500. and $30,000. and had to use most of the money
for expenses to do an interesting job, receiving an arts
grant would be like winning a lottery, with odds ranging
between about one in twenty and one in thousands. But we try
anyway, because a grant can enable an artist to pay expenses
to keep working, to create enough artwork for an exhibition,
or try something especially ambitious. The few artists who
regularly receive grants are highly deserving, for they must
demonstrate to a jury of professionals that they have
accomplished significant bodies of work and (just as
difficult and nearly as much free labour) exhibited widely.
Jurying is a very difficult task, because there is only
enough money to award a grant to a small percentage of the
talented, deserving applicants.
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In the case of the International
Residency programs, the artist's presence in a country
becomes a part of her nation's international profile. It's
important to reflect that we know other countries and
historical civilizations by the arts they produce, and that
an absence of such evidence is called a Dark Age. But
enough! On to my wonderful story...
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